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Ballet Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Protective About My Body'

Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's posture is naturally straight-backed, his arms muscular beneath a plain white T-shirt. On stage, dancers can seem as powerful gods, yet frequently offstage they are small. This is not true for Ball, whose height is one reason for his popularity for heroic roles and partnering. Possessing fine traits and intense eyes, there's a hint of a brooding actor about him.

An Apparent Rise to the Top

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Raised in Liverpool, he faced little teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was promoted annually, reaching the top rank of lead dancer in 2018. He has loved taking on meaty characters, especially the psychological angst found in Kenneth MacMillan's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured appearance is as himself, in an "Evening With" series designed to offer intimate insights into a performer's craft. He will guide the audience through a part, demonstrating his cognitive process while performance. Even in more comedic works, the test is significant. "Don Quixote is one of the toughest from a skill perspective," he states.

The Mental Struggle and After the Show Emotions

What about after a show, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the role, frequently I do feel embarrassed afterwards. After Mayerling I'm always thinking: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. But a choreographer previously remarked on a "kind of suffering in him." Is there? "I am very active usually, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Early Drivers and Creative Influences

Ball's determination originated in youthful setbacks. Not excelling in competitions at school made him "driven!" This became motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

An upcoming endeavor is making his own choreography. In his view, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing inspiration from literature, compositions, and art.

Intimate Dance and Private Dynamic

He also favors presenting dance in more intimate venues. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically paired on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

On Social Media and Physical Image

On social media, fans can see clips from his projects and images that showcase a sculpted physique. Does he care that the engagement can be a bit objectifying? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on various levels.

Ball characterizes his early self as "eager for success." Has it lived up to his expectations? "I feel very aware of how reality is a different reality to the dreams you made as a child," he muses. He likely has another ten years of performing ahead. "I suppose in the future, I want to be a bit more kind with myself."

About the author

Sarah Davis

Helena is a seasoned sailor and maritime historian who loves sharing stories from the waterways.

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